Warhol flesh

Warhol flesh


His genius was in his way of looking at things, at singling out common objects for extraordinary examination. Warhol films always seem to enter on the farce level, convinced they're tragic. Dallesandro is pleasant, naive, engaging. Lately, however, Warhol's movies under the influence of Morrissey, I gather have been angling shyly in the direction of feature films. But it is presented as the finished product, not as a lunge toward some distant goal, and its lack of ambition is discouraging. But to hail his performance as deeply human, and moving, and all those other cheap adjectives, misses the point. His primary function, apparently, is to be present when his films occur.

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Warhol flesh


His genius was in his way of looking at things, at singling out common objects for extraordinary examination. Warhol films always seem to enter on the farce level, convinced they're tragic. Dallesandro is pleasant, naive, engaging. Lately, however, Warhol's movies under the influence of Morrissey, I gather have been angling shyly in the direction of feature films. But it is presented as the finished product, not as a lunge toward some distant goal, and its lack of ambition is discouraging. But to hail his performance as deeply human, and moving, and all those other cheap adjectives, misses the point. His primary function, apparently, is to be present when his films occur. Warhol flesh

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1 thoughts on “Warhol flesh”

  1. With "Flesh," the Warhol group has come closest to a narrative film. Who was it said history repeats itself -- occurring first as tragedy, then as farce? It was written and directed by Paul Morrissey , a Warhol associate, and it's at least interesting.

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